Learning What to Say

In the horn world, as well as in everyday life, one must censor what is said. If during a rehearsal something sounds a little askew, then something should be said, right? Not all of the time. The situation dictates whether or not to verbally address something. Some variables in this complex equation may be how well the players play, whether or not it is a reoccurring mistake, and if the player will actually try to fix the problem rather than blow you off. If something needs to be said that might insult someone's playing ability, I try to include myself in the problem and then offer a solution. For instance, within the section one player may not be matching articulation or overall sound. If I feel something needs to be said then I might say, "Hey, we need to go for one unified sound here in this particular section." Whether or not this works is unpredictable. I can only control how I play and have no control on others.